Music made for a game jam that didn’t go super well.
This, too, ended up not going into a game that got released in time for the jam, due to time constraints and overly-ambitious scope. I’m detecting a theme, here.
This year did not have a good track record for me. I’d definitely prefer if people who come to me for music have a plan to release something even if it’s unfinished.
Originally made this for a game which got cancelled due to time constraints and overly-ambitious scope, so it’s unfinished.
Originally made this for a game which got cancelled due to time constraints and overly-ambitious scope, so I repurposed it for a different game, which also didn’t get finished for the jam due to time constraints and overly-ambitious scope.
Made for Rubber Wizard Can’t Catch A Break. I always enjoy making music for this series.
#GameJams #OST #StrawberryJam #EDM #BossaNova #Chiptune #Classical #Techno ]]>Music done for Strawberry Jam 9 and a couple other things.
A version of “Chilling” meant to evoke certain cute villager games.
A few tracks for Starknights, doing a crafting/shooting game.
This was an idea for Yamatsu’s boss fight music, although it was rejected for not fitting the vibe. Totally valid.
The title of this track is a Simpsons + Wagner reference.
The actual boss fight music for Yamatsu.
This is the combat theme but with some extra pizzazz.
A version of “Chilling” made to sound like there’s an encroaching deadline.
This is the overworld theme for Yamatsu.
Yamatsu wanted a soundtrack for a Binding of Isaac/Enter the Gungeon-like, with intimate scenes, and with combat music reminiscent of Armored Core.
eyetooth wanted to continue their project from last year.
Sneaky stealth puzzle action
Jigs pitched a fishing game in the style of Animal Crossing, and specifically wanted some chill bossa nova.
Another year, another Rubber Wizard game. This time around Kageki asked me to do more of the same style as before, and suggested La Gazza Ladra as an inspiration. I also threw in a bit of the Sailor Moon theme for good measure.
Some affection music for having finished the sneaky stealth puzzles.
Did I say “affection?” I meant “fucking.”
This is the horny theme for Yamatsu.
Every month, Jeremy Blake runs a songwriting challenge where a theme is provided, and for February, the theme was “liminal music,” i.e. music made for things like save/safe rooms in action/horror/survival games. Being games-related I felt like this fit in with the jam, even though it wasn’t done for a Strawberry Jam game per se.
I don’t really have a lot to say about this track since I don’t play a lot of games with a safe room mechanism to begin with, because real life is already anxiety-inducing enough. So I just thought I’d capture the tension of being in a room where you’re trying to get away from the world but can’t completely forget about it.
Title music for Ass Without a Trace 2.
This is the standard combat theme for Yamatsu.
Gone Fishing. It’s a game about fishing… right?
Yeah, fishing.
A shopping theme for Gone Fishing.
For a visual novel prequel to Gooning Simulator I was given a rather long and detailed pitch, but for the jam the scope was limited to just a single flirting scene at a bar. Maybe this game will get more music later.
A post-puzzle affection scene.
#CD #GameJams #OST #StrawberryJam ]]>I make a lot of music for things. Some of it ends up being used, some of it doesn’t. Much of it deserves to be heard anyway.
Some of the things that this music was originally made for:
Are you interested in having music like this in your project? Drop me a line, or see my commissions page.
Background music for an informational video welcoming visitors to the Trans Academy.
The video this was for was intended to be an overview of the Trans Academy and what it does, with several different motifs to indicate the different aspects of the world and community. The video’s scope had to be pulled back somewhat, but this became the basis of the overall musical design and audio logos I developed for the Academy going forward. You will hear the Academy themes and motifs in several of the other songs on this album.
Prototype battle theme made for an abandoned, untitled Pokémon fangame.
I ended up using this in one of my own games, although it was basically a last-minute shitpost meant specifically to have something that actually used the music in it.
A soundtrack done for a seasons greetings video for the Trans Academy.
This was done as a stylistic riff on the front half of “Linus and Lucy” by Vince Guaraldi, with a Motown-inspired jazz sound (and an anachronistic touch of disco, as has been my tendency lately).
Main menu music from Spooky Sushi, a VR game jam game.
In this track I decided to play with the idea of having the same simple looping melody that repeats while being recontextualized by the changing chords underneath it.
The composite soundtrack for Magnolia’s Early Morning Walk, a short game done for a game jam.
The different sections of this piece are the short looping motifs for the various scenes in the intended game, with different emotional variations on two overall themes that represent the protagonist’s state of mind.
This is another track that I composed Just Because. I was treading on the edge of consciousness and then this just popped into my head. I tend to write a lot of my music that way.
Diana’s character theme song from Full Course.
Diana was meant to be a very posh, aristocratic person with refined tastes, and this is the music that popped into my head based on that description.
Sometimes I compose music just for the heck of it. This is one of those songs that just kinda popped into my head and I had to make it.
Music made for the obligatory underwater level of an abandoned game jam prototype.
There are a few game jams where I regularly sign up to make a lot of music for others, and usually err on the side of making too much because more often than not, the music I make ends up going unused in the jam itself. It’s always a little disappointing when that happens, but at least it gives me more music to release later.
Caroline’s date scene from Full Course.
The idea I had for Full Course’s soundtrack was that each character would have a musical theme and a style, and different situations would cause one theme to play in another one’s style. I had decided that the dating scenes would be in the style of cheezy lounge jazz.
I also had started a jazz version of “Water to Wine,” Morgan’s theme, to represent their inner thoughts when alone in the restaurant, and I planned on completing it for this album, but without the impetus of completing the game it felt a bit gratuitous.
Caroline’s character theme from Full Course.
Caroline was to have an interesting story arc, and was going to have two character theme songs because of one of her traits. This particular song is for her extrovert mode (“Candy”), and was inspired by modern anime music. Its working title was “Every Anime Themesong.”
She also had an introvert mode, “Strawberry,” although I never started work on that theme before the game was canceled.
The main theme from Full Course, a canceled visual novel project.
In this game you would have played Morgan, a young adult who experiences multiple mental health challenges, and also “sees” other people as various foods befitting their personalities. This theme song is also Morgan’s theme, and was going to have several variations based on different moods and situations.
Prototype battle theme made for an abandoned, untitled Pokémon fangame.
If I had a nickel for every time someone wanted me to make battle theme music for a Pokémon fan game for a game jam and then disappeared on me without apparently having even started to make the game, I’d have ten cents, which isn’t a lot of money, but it’s annoying that it happened twice.
A looping background motif for an augmented art installation.
I composed a prototype of this while playing with a Sawbench, a minimal MIDI-controlled analog synthesizer, and eventually repurposed it for the art piece, making it a bit more ambient in the process.
People keep comparing it to Boards of Canada, which seems like a band I need to actually listen to someday.
A lo-fi background music track for a series of videos by the Trans Academy.
This is the primary “logo” motif of the Trans Academy, with my favorite gimmick of using an evolving chord progression to recontextualize the simple motif in different ways.
An alternate soundtrack for Magnolia’s Early Morning Walk.
This was done as a prototype while trying to figure out the right mood for the game, and was not going to be used in the game itself as it didn’t end up fitting the vibe. I still like it, though.
The screeching “synth” sound for the second half (the “walkies” section) is a guitar whose strings are being excited by electromagnetic coupling with an eBow. It’s a great sound and I don’t get to use it in my music very much.
An extended/enhanced version of the battle theme from Deck of Desire, an extremely NSFW card trading game.
In the original game there was a much shorter version of this song, in both chiptune and symphonic versions, as well as a bunch of other music. The game itself has been essentially abandoned as a “prototype” (despite having been very popular, and still tops my download analytics on itch.io years later!), but I had some ideas about how to expand the soundtrack into a full musical experience.
Maybe someday.
Paige’s character theme song from Full Course.
The request for Paige’s theme from the game’s creator was that it should be “That Distant Shore” from Steven Universe, which I took to mean being a nice gentle bossa nova tune where you can relax while swaying in the breeze.
Gameplay music from Spooky Sushi, a VR game jam game.
In this game you play the part of a conveyor sushi restaurant waiter, and must quickly tally up the bill for patrons based on the colors of their plates. I was trying to evoke the feeling of having to juggle several things at once while being simultaneously single-minded about it.
#CD #GameJams #GamesMadeQuick #OST #Disco #Rock #Instrumental ]]>Music made for the 8th Strawberry Jam game jam.
This is one of the soundtracks from Bouncing Bazoingas, a silly game about bouncing things into holes.
This is one of the soundtracks from Bouncing Bazoingas, a silly game about bouncing things into holes.
#GameJams #OST #StrawberryJam #LoFi #Instrumental ]]>Usually I do a whole album in a month for Novembeat but this year I was dealing with some annoying physical and mental health issues so I took it easy this time around and just made some small video game soundtracks. But what happens, happens, and some music is better than no music.
Also I’m not pretending to be a whole band this time. Sorry for breaking the illusion. It’s just me.
This is the background music from Snack Stacker.
A preparation song from the game Pawmune
#CD #GameJams #Novembeat #OST #SeattleIndiesSlowJam #Classical #Folk #Jazz #Instrumental ]]>Music made for some game jam games among other things.
Soundtrack for a game jam game
An attempt at making a bunch of background music for video games that may or may not exist.
These are available as loopable game assets
OST for a game done for Global Game Jam 2022.
Novembeat is an annual song-a-day challenge where folks from around the world are encouraged to make something musical every day in November.
For 2021’s Novembeat, Sockpuppet decided to stick to a theme: songs that capture the feeling of various coffee grinders.
For much of the month, the band was displaced from their recording studio due to a plumbing emergency, so they were only able to produce around an hour of music over 17 tracks, instead of the original planned two-hour epic coffee journey. It’s probably for the best, since there’s only so many feelings that coffee grinders can evoke.
Many of the tracks from this were also used in the game Hallowed Grounds, which was developed alongside the recording of this album.
Songs for a Twine game
Songs composed for games entered into the Strawberry Jam 3 game jam on itch.io, which is NSFW so keep that in mind when you look for it.
This is from a visual novel where you’re supposed to date various bugs or something. I wasn’t quite clear on it and unfortunately the project never got very far. Oh well.
This is the soundtrack for the September 2018 demo of Admiralo Island Witches Club, a visual novel in development by cloverfirefly! Please check out the game demo at https://cloverfirefly.itch.io/admiralo-island-witches-club-demo
The soundtrack for a silly game that I came up with the idea for, and Inspector Caracal implemented.
Ludum Dare is a regular game jam event. The 41st installment had a theme of “Combine two incompatible genres.” During this jam I worked with a team to make “Brickris Tetout,” which was a mashup of Tetris with a blockbreaker game (such as Breakout or Arkanoid).
For the soundtrack I made two different and complementary takes on Korobeiniki that mix together seamlessly as the game progresses.
The best way to listen to the soundtrack is by playing the game, but you can hear the constituent parts here as well.
Soundtrack done in a weekend, for a game done in a weekend.
For Global Game Jam 2016 I decided to spend all weekend making as much music and sound effects as I could. Here are the resulting musical tracks. Some of them are even kind of okay!
The pitch from the game’s creator:
Landlord Simulator is a game about being the landlord of an apartment. Every tenant is adamant about their particularities and rituals, and when they’re overly stressed about these obsessions not being fulfilled (e.g. neat freak seeing a mess, guy sees toilet paper roll facing in instead of out) they would go on a tantrum, break a bunch of things, and then leave. The tenant is then immediately replaced and your apartment rating drops a star.
Given an environment predisposed to chaos, I’d like a touch of irony with some very homely music. Almost to corporate muzak territory. This is a wonderful 3.5br/8ba to live in, after all.
Omnia sonat satanica Dum cantatur Latine Lucifer adduxerunt nobis lucem miseratiónum
(Everything sounds satanic when it is sung in Latin. Lucifer brought us the light.)
#GameJams #GlobalGameJam #OST #Instrumental #Lyrical ]]>This album represents a return to our roots as an electronica and experimental band. Not a permanent reversion, of course; just think of it as a vacation to the homeland.
It also is was slowly being turned into a series of video games, although that project is on indefinite hiatus.
In my house In my house What is this person that I do not think I know Doing in my house
In my house In my house He must have snuck in through the bedroom door Living like a mouse
He says he is my husband I’ve never seen him before He knows everything about me I’ll have to show him the door
Not my spouse He’s not my spouse I think I would remember having brought him Into my house
It’s my house He’s in my house Why is this person laughing right at me Sitting in my house
So many pictures of us together The room is starting to blur He says he’s beginning to worry about me But I just can’t be sure I can’t be sure
In my house In my house What is this person that I do not know Doing in my house
Originally composed for Project Imperative, which was meant to be a multiplayer Pong in which the rules change every 20 seconds. This ended up not really happening during the original jam, but I revisited the idea when using it as the first track of the game album.
This song came to me in a dream about love and loss and growing up.
I didn’t know this song was about having undiagnosed ADHD when I wrote it, because it was not yet diagnosed.
I’ve been told this one’s super relatable, on that note.
Your head is in the cloud You don’t know who you are Try to do everything you can Spread yourself too far
Everything that you want to know How to come undone Boiling over, time to kill In the frozen sun
Everything that we used to know Has a zero sum Ice cubes in the goldfish bowl Where we’ve come undone
Nerves of tissue, lung of steel Sleep until we’re dead Warm the soul with antifreeze A frozen mind instead
1 2 4 5 10 20 25 50 100 125 250 500
hello, hello hello, hello hello, hello hello, hello hello, hello (hello) goodbye
two times two times five times five times five two times two times five times five times five two times two times five times five times five five times two times five times two times five
Originally composed for a game soundtrack.
#CD #GameJams #GlobalGameJam #OST #SongFight #Vinyl #Popular #Ambient #EDM #Ambient #Electronic #Electropop #Instrumental #Lyrical ]]>