Music made for a game jam that didn’t go super well.
This, too, ended up not going into a game that got released in time for the jam, due to time constraints and overly-ambitious scope. I’m detecting a theme, here.
This year did not have a good track record for me. I’d definitely prefer if people who come to me for music have a plan to release something even if it’s unfinished.
Originally made this for a game which got cancelled due to time constraints and overly-ambitious scope, so it’s unfinished.
Originally made this for a game which got cancelled due to time constraints and overly-ambitious scope, so I repurposed it for a different game, which also didn’t get finished for the jam due to time constraints and overly-ambitious scope.
Made for Rubber Wizard Can’t Catch A Break. I always enjoy making music for this series.
#GameJams #OST #StrawberryJam #EDM #BossaNova #Chiptune #Classical #Techno ]]>Music done for Strawberry Jam 9 and a couple other things.
A version of “Chilling” meant to evoke certain cute villager games.
A few tracks for Starknights, doing a crafting/shooting game.
This was an idea for Yamatsu’s boss fight music, although it was rejected for not fitting the vibe. Totally valid.
The title of this track is a Simpsons + Wagner reference.
The actual boss fight music for Yamatsu.
This is the combat theme but with some extra pizzazz.
A version of “Chilling” made to sound like there’s an encroaching deadline.
This is the overworld theme for Yamatsu.
Yamatsu wanted a soundtrack for a Binding of Isaac/Enter the Gungeon-like, with intimate scenes, and with combat music reminiscent of Armored Core.
eyetooth wanted to continue their project from last year.
Sneaky stealth puzzle action
Jigs pitched a fishing game in the style of Animal Crossing, and specifically wanted some chill bossa nova.
Another year, another Rubber Wizard game. This time around Kageki asked me to do more of the same style as before, and suggested La Gazza Ladra as an inspiration. I also threw in a bit of the Sailor Moon theme for good measure.
Some affection music for having finished the sneaky stealth puzzles.
Did I say “affection?” I meant “fucking.”
This is the horny theme for Yamatsu.
Every month, Jeremy Blake runs a songwriting challenge where a theme is provided, and for February, the theme was “liminal music,” i.e. music made for things like save/safe rooms in action/horror/survival games. Being games-related I felt like this fit in with the jam, even though it wasn’t done for a Strawberry Jam game per se.
I don’t really have a lot to say about this track since I don’t play a lot of games with a safe room mechanism to begin with, because real life is already anxiety-inducing enough. So I just thought I’d capture the tension of being in a room where you’re trying to get away from the world but can’t completely forget about it.
Title music for Ass Without a Trace 2.
This is the standard combat theme for Yamatsu.
Gone Fishing. It’s a game about fishing… right?
Yeah, fishing.
A shopping theme for Gone Fishing.
For a visual novel prequel to Gooning Simulator I was given a rather long and detailed pitch, but for the jam the scope was limited to just a single flirting scene at a bar. Maybe this game will get more music later.
A post-puzzle affection scene.
#CD #GameJams #OST #StrawberryJam ]]>I make a lot of music for things. Some of it ends up being used, some of it doesn’t. Much of it deserves to be heard anyway.
Some of the things that this music was originally made for:
Are you interested in having music like this in your project? Drop me a line, or see my commissions page.
Background music for an informational video welcoming visitors to the Trans Academy.
The video this was for was intended to be an overview of the Trans Academy and what it does, with several different motifs to indicate the different aspects of the world and community. The video’s scope had to be pulled back somewhat, but this became the basis of the overall musical design and audio logos I developed for the Academy going forward. You will hear the Academy themes and motifs in several of the other songs on this album.
Prototype battle theme made for an abandoned, untitled Pokémon fangame.
I ended up using this in one of my own games, although it was basically a last-minute shitpost meant specifically to have something that actually used the music in it.
A soundtrack done for a seasons greetings video for the Trans Academy.
This was done as a stylistic riff on the front half of “Linus and Lucy” by Vince Guaraldi, with a Motown-inspired jazz sound (and an anachronistic touch of disco, as has been my tendency lately).
Main menu music from Spooky Sushi, a VR game jam game.
In this track I decided to play with the idea of having the same simple looping melody that repeats while being recontextualized by the changing chords underneath it.
The composite soundtrack for Magnolia’s Early Morning Walk, a short game done for a game jam.
The different sections of this piece are the short looping motifs for the various scenes in the intended game, with different emotional variations on two overall themes that represent the protagonist’s state of mind.
This is another track that I composed Just Because. I was treading on the edge of consciousness and then this just popped into my head. I tend to write a lot of my music that way.
Diana’s character theme song from Full Course.
Diana was meant to be a very posh, aristocratic person with refined tastes, and this is the music that popped into my head based on that description.
Sometimes I compose music just for the heck of it. This is one of those songs that just kinda popped into my head and I had to make it.
Music made for the obligatory underwater level of an abandoned game jam prototype.
There are a few game jams where I regularly sign up to make a lot of music for others, and usually err on the side of making too much because more often than not, the music I make ends up going unused in the jam itself. It’s always a little disappointing when that happens, but at least it gives me more music to release later.
Caroline’s date scene from Full Course.
The idea I had for Full Course’s soundtrack was that each character would have a musical theme and a style, and different situations would cause one theme to play in another one’s style. I had decided that the dating scenes would be in the style of cheezy lounge jazz.
I also had started a jazz version of “Water to Wine,” Morgan’s theme, to represent their inner thoughts when alone in the restaurant, and I planned on completing it for this album, but without the impetus of completing the game it felt a bit gratuitous.
Caroline’s character theme from Full Course.
Caroline was to have an interesting story arc, and was going to have two character theme songs because of one of her traits. This particular song is for her extrovert mode (“Candy”), and was inspired by modern anime music. Its working title was “Every Anime Themesong.”
She also had an introvert mode, “Strawberry,” although I never started work on that theme before the game was canceled.
The main theme from Full Course, a canceled visual novel project.
In this game you would have played Morgan, a young adult who experiences multiple mental health challenges, and also “sees” other people as various foods befitting their personalities. This theme song is also Morgan’s theme, and was going to have several variations based on different moods and situations.
Prototype battle theme made for an abandoned, untitled Pokémon fangame.
If I had a nickel for every time someone wanted me to make battle theme music for a Pokémon fan game for a game jam and then disappeared on me without apparently having even started to make the game, I’d have ten cents, which isn’t a lot of money, but it’s annoying that it happened twice.
A looping background motif for an augmented art installation.
I composed a prototype of this while playing with a Sawbench, a minimal MIDI-controlled analog synthesizer, and eventually repurposed it for the art piece, making it a bit more ambient in the process.
People keep comparing it to Boards of Canada, which seems like a band I need to actually listen to someday.
A lo-fi background music track for a series of videos by the Trans Academy.
This is the primary “logo” motif of the Trans Academy, with my favorite gimmick of using an evolving chord progression to recontextualize the simple motif in different ways.
An alternate soundtrack for Magnolia’s Early Morning Walk.
This was done as a prototype while trying to figure out the right mood for the game, and was not going to be used in the game itself as it didn’t end up fitting the vibe. I still like it, though.
The screeching “synth” sound for the second half (the “walkies” section) is a guitar whose strings are being excited by electromagnetic coupling with an eBow. It’s a great sound and I don’t get to use it in my music very much.
An extended/enhanced version of the battle theme from Deck of Desire, an extremely NSFW card trading game.
In the original game there was a much shorter version of this song, in both chiptune and symphonic versions, as well as a bunch of other music. The game itself has been essentially abandoned as a “prototype” (despite having been very popular, and still tops my download analytics on itch.io years later!), but I had some ideas about how to expand the soundtrack into a full musical experience.
Maybe someday.
Paige’s character theme song from Full Course.
The request for Paige’s theme from the game’s creator was that it should be “That Distant Shore” from Steven Universe, which I took to mean being a nice gentle bossa nova tune where you can relax while swaying in the breeze.
Gameplay music from Spooky Sushi, a VR game jam game.
In this game you play the part of a conveyor sushi restaurant waiter, and must quickly tally up the bill for patrons based on the colors of their plates. I was trying to evoke the feeling of having to juggle several things at once while being simultaneously single-minded about it.
#CD #GameJams #GamesMadeQuick #OST #Disco #Rock #Instrumental ]]>Music made for the 8th Strawberry Jam game jam.
This is one of the soundtracks from Bouncing Bazoingas, a silly game about bouncing things into holes.
This is one of the soundtracks from Bouncing Bazoingas, a silly game about bouncing things into holes.
#GameJams #OST #StrawberryJam #LoFi #Instrumental ]]>Music made for some game jam games among other things.
An attempt at making a bunch of background music for video games that may or may not exist.
These are available as loopable game assets
My fifth annual song-a-day expression for Novembeat.
You don’t go places that you used to You don’t enjoy the stories that you’re used to You can’t stand anyone you’re introduced to Sitting home alone is what you’ve been reduced to
Something happened long ago inside you Now it’s back, your life won’t be the same All of the signposts that used to guide you Got pulled up by something, don’t know when it came
But change is coming It’s funny and it’s faint Yes change is coming With noses thumbing Oh, change it is coming The running refrain So humming and strange Our upcoming change
Your friends they act like they don’t recognize you And all these parts they say now that comprise you They preferred the skin that once disguised you So hard to shake the thought, that they all now despise you
But change is coming It’s funny and it’s faint Yes, change is coming With noses thumbing, oh Change it is coming The running refrain So humming and strange Our upcoming change
The you that you are now’s the only you you are You can’t go back to who you once were before Got no choice, you gotta be true to who you are Genie won’t go back inside that bottle any more
Yes change, change is coming It’s funny and still faint More change, change is coming So I’m succumbing to What you’re becoming like an Oncoming train It’s humming and strange This upcoming change
We just don’t know If it’s gonna be all right We cannot know When it’ll be all right We gotta know That it’ll be alright I just don’t know When it’ll be all right
When it’ll be all right
We’re gonna know When it’ll be all right We’re gonna show When everything’s alright Don’t know where to go When everything’s alright But we’re gonna know That it’ll be alright
It’ll be all right
Music courtesy of the itty bitty ditty committee.
Don’t let the door hit you on your way out We all know you are going to just scream and shout Take it back to Twitter with your remaining clout, don’t let the door hit you on your way out
At least half of the nation is so sick of you You are so much worse than the “just a flu” Nobody cares what you’re going to do, don’t let the door hit you on your way out
The past four years have been a tragedy And we have a long way to go we can all see To get a better world for you and me Well maybe not for you
Don’t let the door hit you on your way out We’re better off without you without a doubt Twitter says they’ll ban you so just quietly pout, and let the door hit you on your way out
As is tradition I tried to record one short song every day in November. I didn’t get every day this year and some of the tracks really sucked but a lot of them were a lot higher-effort than usual for Novembeat so I’m satisfied enough I guess.
binaural microphone experiment
I don’t know what I’m saying But I’ll say it to you
I don’t know what I’m saying But I’ll say it to you
I don’t know what I’m saying But I’ll say it to you
I don’t know what I’m saying But I’ll say it to you
I don’t know what I’m saying But I’ll say it to you
I don’t know what I’m saying But I’ll say it to you
I don’t know what I’m saying But I’ll say it to you
I don’t know what I’m saying But I’ll say it to you
The Song Fight! version of Lumetri
try me you want to fall to sleep try me i’m better than counting sheep
try me you’ll finally rest at last try me don’t think about the past
try me it’s time to tuck you in try me you’ll be asleep again
what it says on the tin
smooshing keys until something interesting comes out
I needed a new outgoing voicemail message
[dial tone] [DTMF tones spelling out NOVEMBEAT#]
I can’t take your call right now Or I’m not picking up anyhow I will try to get back to you If you leave a message at the beep
I can’t take your call right now Or I’m not picking up anyhow I will try to get back to you If you leave a message at the beep
I can’t take your call right now Or I’m not picking up anyhow I will try to get back to you If you leave a message at the beep But I’d rather text
A song I wrote while waiting for the bus
it’s a bit long innit
an ode to what keeps me functional
i don’t know what i’m doing
this is problematic and appropriative
more garage than garage
like something from a vidya game
It all goes downhill from here
I don’t know what I’m doing But I’ll do it to you
images of childhood
A song done to celebrate the birthday of my friend Heather “moboid” Kelley.
Specific works referenced:
What’s going on there is nothing to do Everything I have makes me think of you What’s on the TV please give me a clue Maybe I’ll try to find something that’s new So I try to play a game But they’re all just all the same
Throw me some blocks flying through outer space Wearing a helmet that’s strapped to my face Something artistic, something with grace Something experimental that takes place In a world I call my own Makes me feel at home
I think that I’ve played that game I think that I’ve played that game
I think that I’ve played that game I think that I’ve played that game
Experiment with all the feelings inside Help me to find something i can provide Give me ideas, try not to hide from the Animals concrete the organs implied (I wanna pet the rabbit) (please help me pet the rabbit)
Look around corners that no-one could see Making a difference quite expressively Craving rapport as we drift to the sea What are we saying, let’s talk about me, ‘cause I’m Valid and I’m proud Quiet scream out loud
I think that I’ve played that game I think that I’ve played that game
I think that I’ve played that game I think that I’ve played that game
Falling down through space Make friends with a place Keeping a straight face Save the human race
I think that I’ve played that game I think that I’ve played that game
I think that I’ve played that game I think that I’ve played that game
I think that I’ll play that game I think that I’ll play that game
I think that I’ll make a game I think that I’ll make a game
Sort of a fitting conclusion to the month I guess
another video game soundtrack in my head
#Novembeat #SongFight #Instrumental #Lyrical ]]>Songs composed for games entered into the Strawberry Jam 3 game jam on itch.io, which is NSFW so keep that in mind when you look for it.
This is from a visual novel where you’re supposed to date various bugs or something. I wasn’t quite clear on it and unfortunately the project never got very far. Oh well.
The soundtrack for a silly game that I came up with the idea for, and Inspector Caracal implemented.
October has Inktober, where artists are challenged to draw one ink drawing every day throughout the month.
November, therefore, has Novembeat, making one short song every day.
This is the second such album I have done, and I feel that it is some of the best music I’ve ever made. It also follows the emotional arc of the month, due to some rather unexpected setbacks.
Think of it as a musical diary spanning one month in a not so great year.
I really liked Stranger Things, or at least its soundtrack.
It was cold out and my leg was hurting and I had a cat sleeping on my lap, so I decided to have some fun with a sonic soundscape that captured the feelings of winter cuddles.
The dark days were getting to me.
The depression was getting to me.
On Black Friday weekend I upgraded to KOMPLETE 11 and decided to play around with some of its presets.
This came out.
I started composing a tango song but it just wasn’t coming out very well. So I scrapped it and worked on a second take for the day.
The pain from the previous four days turned out to be due to a clot in my leg that was growing rapidly, and part of it broke off and went to my lungs, giving me a pulmonary embolism. Because of the clot I had to cease taking my HRT and start taking blood thinners. I was told I may not be able to get back on HRT ever again.
I was happy to still be alive but not looking forward to the impending hormonal crisis.
But I am still around, and defiantly making music.
My leg was hurting even more and my other cat wanted to get in on the action, so she wrote a song with me.
At this point I was just completely falling apart, due to basically going through menopause and feeling worthless, useless, and futureless.
I had been without hormones for a week and a half and my emotions were all over the place. Everything would set me off and I would cry and I was not in a good spot. So I wrote this thing to capture my feelings.
Without HRT I was losing track of time and my mental state, and every day was running into each other. I wanted to be kind to myself after my near-death experience but I also wanted to be productive. And everything felt the same as everything else.
I attempted to self-medicate my ongoing depression with some THC.
I may have used a little too much.
Hello, the Internet Hello, the Internet Hello, the Internet Hello, the Internet Hello, the Internet Hello, the Internet (Internet) Hello, the Internet (Internet) Hello, the INternet (INternet) Hello, the Internet (Internet) Hello, the Internet (Internet?) Hello, the Internet (Internet!) Hello, the Internet (Internet…) Hello
I had trouble sleeping due to the increasing pain, and this music wafted into my consciousness.
I was spending way, way too much time reading Twitter instead of doing anything productive. The senseless repetitive noise of everything around me was more than I could take.
This is a song about a pawn shop bunny
going around as if it’s made of money
trying to buy some milk and honey
but it doesn’t quite care.
Just a little introduction to the album.
I woke up barely able to breathe, and went to the hospital.
It was an embolism, from a DVT in my leg that threw off a clot.
I composed this track from a hospital bed, using GarageBand on my phone.
A little scrap I had lying around, which was begging for a fuller orchestration.
It seems like every album of mine these days needs at least one semi-algorithmically-generated weird-time-signature experimentation.
And Werner just wouldn’t shut the heck up while I made it so I decided to record him meowing.
Oh and there’s scissors for percussion.
The first song I wrote on this day was not very good, but then I was noodling around and came up with this better song. It made me think of a wood elf in a forest grove or something.
The lack of hormones was really starting to get to me. Constantly tired, constantly struggling to wake up in the morning, but this music project kept me going.
Shout out to the Cupcake Royale in Capitol Hill, Seattle, WA, and the restroom cooling fan that was making this really cool grinding noise.
(It has since been fixed.)
This day didn’t go so well, so I was looking forward to a better one.
feeling like drowning, no escape
Met up with some friends at a coffee shop, took up way too much table space while I composed this attempt at making something Lemon Jelly-esque.
I was feeling aimless from my recent health issues, and felt like nothing was going anywhere and nothing was worth doing anymore.
I decided to make some disorganized fun.
My leg was still hurting. Really, really bad. And I was starting to have a pain in my shoulder as well. The pain was getting to be unbearable. So I wrote this track that captured the agony I was in.
Just a little tune that popped into my head that morning.
Ga ga dabba gagabagada baga Da ba baga dadabagada bada Ba ba bada bagagabada baga Ya ba bada yabadabada baga Ba ba baga dababadaba bada Bum ba bada bagagabada bada
Bum bum bum, ba Bum bum bum, ba Bum bum bum, ba Bum bum bum, ba Dum ba bum, ba Dum ba bum, ba Dum bum bum, ba Dum bum bum
I took a little trip down to my platonic cuddle-buddy’s home and I composed this while lying on his lap. It was nice.
Back in the early days of Song Fight! there was an occasional contributor who entered under the name Mouth Reliant. I felt like doing a tribute to his style for some reason.
I didn’t have the energy to clean my home but I made a piano-and-cello tune to help me clean myself, at least.
Pachelbel’s Canon is the bane of every cellist’s existence.
Inspired by the name of the previous track, I decided to go on a spelling spree.
The notes of the musical scale can spell words.
Not very many, though.
dead cabbage dead cabbage dead-ead, dea bae d dead (dead) cabbage dead-ead, ea bae d dead cabbage dead cabbage dead
#CD #Novembeat #Soundtrack #Instrumental #Lyrical ]]>Throughout November 2016 I recorded one short song every day. Because why not.
I went downtown to buy me a stapler So I could put together a couple pieces of paper Office Depot was shutting down They had all the best deals in town For the low, low price of 27 bucks I got a bunch of stuff, who cares if it sucks Anyway I completed my task, it Is great they even let me keep the shopping basket
He actually said “proggy as fuck” but I didn’t want this song to get marked explicit on the streaming services.
Oh god this album is old and terrible but I still have a soft spot for it.
It’s a collection of songs I made over the course of several years in the late 90s and which I finally released sometime in 2000 (although the exact date is lost to the sands of time). I did everything in Impulse Tracker, and many of the samples were made by interpreting non-sound files as raw PCM data and trimming out interesting-sounding parts of it. Some of the songs were also built from corrupted mod files in my collection. So, it’s arguably an early example of what is now known as “glitch art.”
I only really present it here as a historical artifact. I still listen to it from time to time though, mostly to remind myself of how far I’ve come.
Impulse Tracker doesn’t use traditional musical notation; instead, it divides measures up into fairly arbitrary time periods, and you can place notes within those time periods. For this one I set the time divisions to be 1/5, 1/25, and 1/125 of a measure, and composed a jazz song on it. Little did I know that this song bears an uncanny rhythmic resemblance to Take Five by Dave Brubeck! So everyone thinks I ripped him off, and also think I’m clueless about music theory (which I studied fairly intensely once upon a time) because there’s “no such thing as 5/5 time, surely you mean 5/4” and so on. Oh well, I still like it.
This was also an entry into hornet.org’s Music Contest 5 (the numerical connection being a coincidence). It came in 12th place in the intermediate division. For a while I had that awesome achievement listed on my resumé.
I had a pretty massive collection of .S3M (ScreamTracker 3 Module) files. One day they all got corrupted. Most of them were unrecoverable but one retained the pattern data, but lost all the sample data which was replaced with noise. It sounded cool enough that I kept it around, figuring I could do something neat with it. A few years later I decided to make a new song out of it.
This was an entry in hornet.org’s Music Contest 6. It didn’t do too well, but it was a pretty good representation of how I feel when I have a bunch of pent-up energy which I don’t know how to direct anywhere — I end up just going in circles.
This song is very personal to me. I started composing it without any speakers hooked up, just letting the music come without the sound getting in the way while my partner at the time slept beside me, and I liked it so much that I built up what I think is my best instrumental song ever around it.
One morning I woke up to discover that the power supply on my computer caught on fire (the fan had failed a while ago and I never got around to replacing it). That was just the beginning of what turned out to be a pretty bad day overall. So I wrote this song to cope. This is my second-favorite on the album, behind Softspoken.
For some reason, this is the song which most consistently gets high reviews when other people hear the album, when really I only put it in as filler. Go figure.
Impulse Tracker lets you use any arbitrary file as a sample, even if there’s no header information on it (it lets you specify how to interpret the data, as long as it’s some form of linear PCM). Although all of the songs on this album have at least one sample created by using a non-sound file as a sound in this way, for this song I used nothing else. The best one by far is the drum loop: COMMAND.COM from MS-DOS 6.22.
I originally wrote the first part of this song for an intro for a demogroup which never got off the ground. I think what it came to become a part of was much better anyway.
I needed some way to wrap up the album, so I wrote this quick little chiptune based on motifs from Softspoken and intro, with a few other elements from other songs thrown in.
This song came to me in a dream on a particularly humid morning.
For a while I was obsessed with the workings of the demi-unconscious mind, and was having regular hypnagogic hallucinations due to my somewhat irregular sleep patterns. For this song I stayed up late until I was started to have fatigue-induced hallucinations and then started recording whatever random crap came to mind, then in the morning I pieced it together into this mosaic.
Once upon a dream I heard you were right
I sang
Are as they aren’t
The children around me are turning to flowers The children around me are turning to flowers To flowers
Is that so
Once upon a dream I heard you were right
I sang
Are as they aren’t
t'nera yeht sa erA
gnas I
thgir erew uoy draeh I maerd a nopu ecnO
This was another song originally written for a demogroup intro (I forget which group now, but we had this idea that we were going to resuscitate demos for low-spec hardware). The song was originally written for the AdLib soundcard, though I later converted it to digital samples (but used Impulse Tracker’s resonant filters to try to maintain the analog sound).
#Abstract #Chiptune #Electronic #Instrumental #Lyrical ]]>