Sockpuppet Blog.

Some recommendations for digital distribution

As I talked about previously, there are many different services for getting your music online with the major streaming providers. Here’s my thoughts on a few that I’ve worked with, and a couple that are on my radar and I plan on trying out in the future.

Of course, the best place to sell your music is on places like Mirlo and Bandcamp, where you actually get paid well for things and your buyers are able to retain access to your music in exchange, but the unfortunate reality of music in the current era is that most listeners are going to the streamers to listen to stuff, so if you want your stuff to be listened to, this is where you have to put it.

elasticStage update

After my previous review of elasticStage, a customer service representative reached out to me and told me that they’d improved their cutting process to reduce the surface noise, and asked if I’d be interested in receiving (at no charge) a recut of the two records. I agreed to this, and the replacement records arrived today.

On both of my albums, I am extremely pleased to report that the audio quality has improved in every possible way! The surface noise is essentially gone, and everything sounds perfectly clean. Some of the subtler sounds that had been lost behind the surface noise before are now super apparent, too.

The difference is much more profound on Transitions than on Refactor, but both albums have definitely improved as a result of their process change.

The actual manufacturing and delivery time was also greatly reduced from the last time, which tells me that they’ve probably cleared a backlog in their manufacturing.

elasticStage: A brief review

Back in April I learned about elasticStage, an on-demand vinyl production company that makes it easy for musicians to get their music on vinyl without any up-front costs. I ended up setting up Transitions and Refactor for manufacturing, and ordered some test copies.

My lead time at the time was around 6 weeks, and I was told the records would ship on May 14. They ended up shipping a couple days later than expected, but I still ended up receiving them today, which isn’t too much further after the original estimate.

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Anyway, here’s my review of how the product turned out.

UPDATE: elasticStage have responded to my review by sending me updated copies. Definitely check out what’s new!

Vinyl releases

I recently learned about elasticStage, an on-demand vinyl LP manufacturing company. I’ve always wanted to get some of my albums on vinyl, especially Transitions and Refactor, two albums which are very near and dear to my heart.

As such, I’ve set up an elasticStage page where you can order my stuff on vinyl! I’ll probably add more albums as they come.

I’m still waiting for my test copies to arrive (and they likely won’t arrive for a little while) so if you order a copy right now it’s at your own risk, but all of the reviews I’ve seen of the service are incredibly positive. On Refactor in particular I’ve scheduled it as a preorder to be released on June 14, which is both the 10th anniversary of the original release of the album and also my birthday.

I’ll definitely be reviewing the test copies when they arrive, and if you want to take a chance on something unproven, right now is the time to order, as the actual manufacturing lead time is currently around 6 weeks.

Independent music on the independent web

As an independent musician who is also a (former-ish) software engineer who is keenly all-too-aware of technology and the development of the web, I would personally love to see a much better ecosystem of independent music distribution and discovery that isn’t reliant on any one company or platform, or even a handful of them.

When discussing some of the alternate paths that people can take, it’s important to know what’s out there and what their strengths and weaknesses are.